DaBaby is officially out of ideas.
His surprise EP, Back On My Baby Jesus Sh!t Again, continues his race to strip everything that was originally interesting about him. Instead of leaning on his strengths of charisma and head spinning staccato flow, DaBaby doubles down on trying to be a melodic rapper, singing more than he needs to. His lack of energy also runs contrast with his skills, using a drugged-out reverb and sounding as if he took a few too many Quaaludes.
â€œDRAWSâ€ uses the same flute heâ€™s continued to recycle from â€œBOPâ€ considering it worked once. â€œ5 For A Dubâ€ has him trying his hand as a melodic rapper, if thatâ€™s even a fair term to use. No amount of vocal effects can fix DaBabyâ€™s painfully weak singing, and the direct rip off of NBA Youngboyâ€™s aggressive speed flow, with a tinge of melody, makes it obvious who heâ€™s trying to emulate. The style only works when thereâ€™s some pain or something of substance to say; DaBaby offers neither.
There are times where DaBaby decides to be a good rapper. â€œRoofâ€ is a throwback to what he does best: flex rap with a give no fucks attitude coupled with a competent producer (London On Da Track) who knows how to rattle trunks. Itâ€™s the same style that made him HipHopDXâ€™s rapper of the year in 2019. He goes back to sing rapping on â€œLook Like Sumnâ€ but stays within his range and doesnâ€™t strain his voice too much, which helps. He also decides to rap, another element that makes the song listenable, even if itâ€™s nothing special.
Some of the other songs on the project feel so out of place and unnecessary, â€œSticked Upâ€ being the worst offender. Supported by a serene choir, DaBaby comes in like a drunk cousin late for Sunday Service. His harsh adlibs, strange Auto-Tuned threats and deliberate disregard for the production around him makes for a song that serves no purpose other than to annoy. At least 21 Savage collects a paycheck.
DaBabyâ€™s antics have become the focal point while making good music is an afterthought. Thatâ€™s true of many other rappers, but in DaBabyâ€™s case, itâ€™s painfully clear he could be good if he stopped sabotaging himself.
Even when he delivers a solid verse where he outdoes a legendary rapper (Kanye Westâ€™s â€œJail Pt.2â€), itâ€™s undercut by deliberate trolling, yet this desire for people to give him respect. If Back On My Baby Jesus Sh!t Again is an indication of where DaBaby is going in his career, he better have more stunts and controversies planned.
Critics may have moved on from their initial praise of DaBaby, but critical acclaim doesnâ€™t lead to dollar signs.
Itâ€™s clear DaBaby can survive being a jackass, his homphobic rant at Rolling Loud and subsequent poor apology attempts havenâ€™t hurt his Billboard numbers and YouTube views. All he has to do is make good music again. Because the biggest issue with DaBaby isnâ€™t his character, poor taste or even being openly unprogressive in a genre thatâ€™s dealing with a major homophobia reckoning â€” the music isnâ€™t interesting.
This EP is proof of the public growing tired of DaBabyâ€™s schtick, failing to make the Billboard 200 or Hip Hop Song charts, his first project to not chart since 2018. Heâ€™s proven in the past he can make good music, despite believing labels, other artists, PC culture and progressives are trying to keep him down.
In 2019, DaBaby was the hottest rapper in the world; two years later and people want to put the binky back in his mouth.
dababy dropped and I havenâ€™t seen anything about it on my TL I definitely follow the right people
â€” amatuer celebrity (@shinathagoat) November 13, 2021
Just heard @DaBabyDaBabyâ€™s 6 piece he dropped and they all sounded the same and Iâ€™m going to knock him tf out when I see him.
â€” Blair Denny â˜ (@BNewF) November 13, 2021
@DaBabyDaBaby snapped on his new EP I wonâ€™t ðŸ§¢ no skips all 6 tracks I had almost given up hope but my dyk3 azz is back ðŸ˜‚
â€” Rowdy G (@RoyaltyRowdy) November 13, 2021